A buddy of mine on IRC posted a YouTube video that mashes up (a phrase meaning to mix up different sources of music and video and other media into one product) drum n’ bass (dnb) music with footage from church sermons with people dancing and being overcome by religious experience and priests giving emotional sermons. I used to listen to a lot of dnb so I enjoyed the video a lot.
These particular videos below are 3 parts of “Baptazia” called “Super Sunday”, posted on YouTube by a user named airloaf. I don’t know much about him except for what’s on his profile.
Watch the three below:
Well done, dude! Indeed, there’s a whole slew of related videos that mash up gospel stuff with dnb. airloaf calls it “speedgospel”, but I guess it could be dnb gospel too.
It’s funny posting so many YouTube links; the “other” founder of YouTube, Jawed Karim, used to be in the IRC channel I still use to this day.
Girl Talk, coincidentally, has a similar video for the new single off his album “Feed the Animals”; “Play Your Part” also uses church footage:
I don’t know who thought to put the two together, but obviously mash-up artists like using the crazy dancing in church sermons for their video bases.
Intellectual Property Law Hurting Innovation
In Lessig’s “Remix”, he talks about how intellectual property law is constricting innovation in video and music at a time when it’s possible for any individual to mash stuff up easily on their computers. The freedom we have to mash-up and remix text is what needs to happen for video and music next, but we’re a long way from that both in terms of technology and of legal protection.
The Concept of the Screen
Kevin Kelly, former editor of Wired Magazine and well-known internet visionary, recently published an article in the New York Times Magazine about “screen literacy”. Kelly makes similar points to Lessig, saying that we have already achieved “text literacy”, freely cutting and pasting text and bookmarking and Kindle-ing and quoting and referencing in papers freely. Both Lessig and Kelly point out that no one has any problem or legal disagreement with being able to quote someone else’s text without their permission, as long as attribution is made.
Kelly then goes on to say that video sharing is still in its infancy. We can’t yet really link an article about a scene from a movie to the actual scene from a high-quality feed of that movie. Says Kelly:
“With true screen fluency, I’d be able to cite specific frames of a film, or specific items in a frame. Perhaps I am a historian interested in oriental dress, and I want to refer to a fez worn by someone in the movie “Casablanca.” I should be able to refer to the fez itself (and not the head it is on) by linking to its image as it “moves” across many frames, just as I can easily link to a printed reference of the fez in text. Or even better, I’d like to annotate the fez in the film with other film clips of fezzes as references.”
Kelly then closes his article as follows:
“With our fingers we will drag objects out of films and cast them in our own movies. A click of our phone camera will capture a landscape, then display its history, which we can use to annotate the image. Text, sound, motion will continue to merge into a single intermedia as they flow through the always-on network. With the assistance of screen fluency tools we might even be able to summon up realistic fantasies spontaneously. Standing before a screen, we could create the visual image of a turquoise rose, glistening with dew, poised in a trim ruby vase, as fast as we could write these words. If we were truly screen literate, maybe even faster. And that is just the opening scene.”
The Four Screens
Interestingly, Nokia has been doing a lot of hardcore research into the future. It employs the now well-known (as the result of an inspiring NYTimes article from April of this year) Jan Chipchase as an anthropologist who goes out and studies how people use cellphones or how they build solutions to everyday problems.
Nokia also published a video called “The Fourth Screen”, about how cell phones are a fourth screen of history that are just beginning to revolutionize our world:
Nokia argues that the moving picture or movie was the first screen we ever used. It was a public meeting place-type viewing experience. The second screen was the TV, which allowed us to stay in our homes. The third screen was the computer screen and internet, which let us share with each other again, but still from our homes.
And now there’s the fourth screen, the mobile phone, that lets us go out and be social again, while still having the power of the internet and digital communication with us.
It is interesting to think about this only being the beginning. In many ways we consider technology to have a predictable path now. We have cellphones, and okay, maybe they will be a little faster on the internet and have better cameras soon. But do we really imagine much more?
Nokia and more international development-oriented organizations (Grameenphone, etc.) think that cellphones can do a lot for poor people. A lot’s been written on the topic. But how will humankind interact and mash things up once technology is freed from the tyranny of the literate towards video and music, which even the illiterate and uneducated can relate with? What will happen when we can search videos with the same relative ease as we can with text on Google?
It’s still too difficult. I’ve been messing with ACID (audio editing) and Final Cut Pro (movie editing) and it takes a long time and it’s hard to get all the different file formats from different media under one roof. You have to use the tools a lot to learn how to mix up the content well. I just made a mixtape for a Christmas gift, under a silly pseudonym I like to use, DJ Industrial Average (for DJIA, the acronym for the Dow Jones index), and the quality of my mixing was poor, given especially that it took me many hours to do it.
So there’s still lots of work to be done before everyone can use this stuff. But the flood is coming.
More on Girl Talk
To conclude this post, I’ll leave you with some more mashed up YouTube videos, this time using Girl Talk’s blend of 80′s, 90′s, and 2000′s music with their accompanying music videos. Make sure to watch all 14 parts, which are not all from one user as YouTube is probably removing them gradually for copyright infringement (sadly).